07.17
I was sitting in the back corner of The Heorot, a true present-day mead hall located in central Indiana, enjoying the company of friends and insanely cheap beer when a parade of uncanny characters began to appear as if cued from behind the scenes by an overanxious parent at a fourth-grade school play, pushing each actor to center stage so as to keep up a perfectly-timed stream of somewhat painful action. Blame it on the oddball Wednesday night usuals. Blame it on the $2.00, 24 ounce Pabsts can special. Or maybe someone at the bar wasn’t doing their job cutting people off.
Anyway, within fifteen minutes of our arrival, we were all astonished to be joined by Sammy Davis Jr. He was doowapping and soaking in the sweet music as the piano played, waving his hand as if playing an air piano himself through a prominent soft cast. He got the cast because of an injury allegedly sustained while getting thrown out of every bar in town. He was holding a PBR can in a paper bag that he could have just as easily gotten from the closest gas station as from the bar. His claim of 24 years of age seemed a bit absurd after noting his missing teeth and wrinkled smile.
As he walked away, playing an invisible tambourine and looking for someone else who would swap war stories, two guys walked up both with gauges in their ears. The first guy’s were large enough that a penny could fit through them while his buddy’s were more the size of an ink pen. They were both obviously excited about the piano music that had been coming from the corner of the bar. As they were sharing about just how excited they were, large gauges began reflecting on old regrets and, suddenly, looked at us almost as if choking back tears.
“I wish I would have played an instrument growing up. I would have played the guitar or the harp,” he said. And then, after a brief pause, “Chicks fucking dig the harp, man.”
With that he felt compelled to hug me and walk away, small gauges following. They then stopped at the juke box to select the worst possible music they could find on the machine, none of which featured a harp.
As our ears were being punished by their selections, we heard a loud noise over the music, over the chatter, over the shuffling and washing of glasses. At the jukebox, standing inches from small gauges, was a large man who was the precise intersection of muscular and fat ass, wearing a plain blue sleeveless shirt and plain sweatpants with the drawstring tied snuggly at the waist as if he’d come straight from the gym. He had big hair with a mullet following him around like a mangy dog and a cassette player on his hip accompanied by what I assumed were the original headphones. He was screaming so loud that we worried both for Small Gauges’ safety and that his very eardrums might simply explode right there in a blaze of red glory.
“I can’t believe she is telling me to fucking be quiet in a bar. Does she not know where the hell we are? We are in a fucking bar!”
The last phrase was aimed back in the general direction of the bar like scatter shot, sure to find the offending bartender, leaving her with no doubt he was angry at the very suggestion that he could be talking too loud. His face was a brilliant red, his eyes wide with anger as he continued to recite the travesty : “Who tells you to be quiet in a bar, You can’t be too loud in a bar….IT’S A FUCKING BAR.”
Perhaps he had enjoyed one too many beverages that evening, perhaps the cassette that I can only imagine was pumping “Fight the Power” by Public Enemy into his brain was dialed up on MAX, or perhaps he just didn’t have a great “not on the assembly line” voice. But if any of these were true (or even if all of them were) it would still not completely explain just how loud this individual was speaking.
I didn’t know you could be too loud in a bar before that night. But now I know. It means a maniac screaming above music, above people, drowning out his own and everyone else’s consciousness, justified in his head because he is fighting the power, fighting the powers that be.